Namarodo Spirit by Marrainmol

View this record on the National Museum of Australia's website

Type: Bark paintings
Date: 1970 - 1985
Place: Maningrida, West Arnhem Land, Northern Territory, Australia; Canberra, Australian Capital Territory, Australia
Materials: Bark, Ochre
Collection: Aboriginal and Torres Strait Islander Affairs Art (ATSIAA) collection no. 1
Accession number: 2007.0053.0976

Description

A colour painting on bark featuring a male figure with brown and white cross hatch markings.The figure is standing to the left. There are four wood blocks on the reverse of the bark. There are a number of codes handwritten on the back which read "DAA 850" and "MARRAINMOL / MIELLI TRIBE / ESTERN [sic] ARNHEM / LAND".

Namarodo are considered to be dangerous spirits which inhabit the escarpment country of Western Arnhem Land. One manifestation of Namarodo is the shooting sytar. When people see a shooting star they say it is Namarodo stealing another soul and that somewhere, somebody has just died.

About the collection

The Aboriginal and Torres Strait Islander Affairs Art collection comprises 2050 artworks and other objects. The artworks - which numerically dominate the collection - were produced by Aboriginal and Torres Strait Islander communities throughout Australia. The accumulation of these artworks into a single collection has resulted from the choices and selections made during a 38 year period by a variety of staff working for the Council for Aboriginal Affairs (CAA), the Department of Aboriginal Affairs (DAA), the Aboriginal Development Commission (ADC) and the Aboriginal and Torres Strait Islander Commission (ATSIC) at the national, regional and local levels. The collection spans the years following the 1967 referendum, when dramatic changes in the governance of Aboriginal people took place, up to 2005 when the Aboriginal and Torres Strait Islander Commission was dissolved. It provides a snapshot of the diversity and changes in Indigenous art and its representation which occurred during the period of its formation. The small number of 'non-art' objects in the collection is also significant in providing insights into the working of the various Commonwealth bodies involved in Indigenous affairs. As well as the significance of many of the individual pieces, the collection is also significant as a whole, as a complex artefact stemming from Australia's history of governance of Australian Indigenous peoples.

Read live from the Museum's Collection API (12/11/2026, 5:44:20 am). Record last updated by the Museum 2025-02-23. Licence: https://creativecommons.org/licenses/by-nc/4.0/.