Studio portrait photograph of Thomas Hinton.

View this record on the National Museum of Australia's website

Type: Albumen prints
Materials: Photographic emulsion
Collection: Thomas Hinton collection
Accession number: 2012.0015.0011

Description

A black and white photograph of a seated man with a pointer aimed at a large banner. A smaller torn portait photograph of the same man has been attached to the top right of the photograph. The photoraph is stamped 'Albert Sargeant / PHOTOGRAPHER' on the back.The photograph has been torn and repaired.It is quite fragile.

About the collection

This collection contains 15 studio photographs attached to 11 pieces of cardboard, dating from 1900. A remarkable set of images, they utilise the late nineteenth century conventions of photographic studio portraiture to present a unique response to Australia at the dawn of the twentieth century. We cannot know what meaning they were intended to have by Thomas Hinton (b. 1857 – d. after 1924), who commissioned and featured in the photographs. Hinton worked as an engine driver in the Tasmanian midlands. Shortly after the photographs were taken he was admitted to an insane asylum primarily because of 'a mania for having his photograph taken.' This collection has strong bearing on a number aspects of Australian cultural history, including the treatment and experience of mental illness; Federation and the choosing of the flag; the Advance Australia coat of arms; the history of photography and of the understanding, collection and appreciation of 'outsider art'.

Read live from the Museum's Collection API (12/11/2026, 6:26:54 am). Record last updated by the Museum 2026-09-30. Licence: https://creativecommons.org/licenses/by-nc/4.0/.